France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

GO HOMEGO HOME

Balen, Hendrick von

Dutch, approx. 1575-1632 Hendrik van Balen Students included Anthony Van Dyck, Frans Snyders and Gerard Seghers

ID de tableau::  10708
The Judgement of Paris
Le Jugement de Paris
1599, Gemäldegalerie at Berlin
1599, la Gemmeauml ; ldegalerie à Berlin
Dutch, approx. 1575-1632 Hendrik van Balen Students included Anthony Van Dyck, Frans Snyders and Gerard Seghers

   
 

 

 
   
      

GO HOMEGO HOME

MANUEL, Niklaus

Swiss Northern Renaissance Painter, ca.1484-1530

ID de tableau::  19276
The Judgement of Paris
Le Jugement de Paris
1517-18 Tempera on canvas Öffentliche Kunstsammlung, Basle.
1517-18 Détrempe sur le canevas Ouml ; ffentliche Kunstsammlung, Bâle.
Swiss Northern Renaissance Painter, ca.1484-1530

   
 

 

 
   
      

GO HOMEGO HOME

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

ID de tableau::  30155
The Judgement of Paris
Le Jugement de Paris
mk64 c.1638-1639 Oil on canvas 199x379cm Madrid,Museo Nacional del Prado
mk64 c.1638-1639 Pétrole sur le canevas 199x379cm Madrid, Prado de del de Nacional de Museo
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

GO HOMEGO HOME

BALEN, Hendrick van

Dutch Baroque Era Painter, ca.1575-1632

ID de tableau::  32231
The Judgement of Paris
Le Jugement de Paris
1599 Oil on canvas
1599 Pétrole sur le canevas
Dutch Baroque Era Painter, ca.1575-1632

   
 

 

 
   
      

GO HOMEGO HOME

MANUEL, Niklaus

Swiss Northern Renaissance Painter, ca.1484-1530

ID de tableau::  33530
The Judgement of Paris
Le Jugement de Paris
mk86 c.1517/18 Tempera on canvas 223x160cm Basle
mk86 c.1517/18 Détrempe sur le canevas 223x160cm Bâle
Swiss Northern Renaissance Painter, ca.1484-1530

   
 

 

 
   
      

GO HOMEGO HOME

Joachim Wtewael

1566-1638 Flemish Joachim Wtewael Galleries

ID de tableau::  43077
The Judgement of Paris
mk170 1615 Oil on oak 59.8x79.2cm
1566-1638 Flemish Joachim Wtewael Galleries

   
 

 

 
   
      

GO HOMEGO HOME

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

ID de tableau::  43120
The Judgement of Paris
mk170 1631-1635 Oil on oak 144.8x193.7cm
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      


ID de tableau::  44445
The Judgement of Paris
1430-40 Tempera on wood, diameter 70 cm

   
 

 

 
   
      

GO HOMEGO HOME

Henri-Pierre Picou

(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

ID de tableau::  72714
The Judgement of Paris
Oil on canvas 21.63 X 27.5 in (54.93 X 69.85 cm) cjr
(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

   
 

 

 
   
      

GO HOMEGO HOME

Paul Gauguin

French 1848-1903 Paul Gauguin Art Locations

ID de tableau::  81042
The Judgement of Paris
Date 1902(1902) Medium Oil on canvas Dimensions 26.5 x 45.5 cm (10.4 x 17.9 in) cjr
French 1848-1903 Paul Gauguin Art Locations

   
 

 

 
   
      

GO HOMEGO HOME

Claude Lorrain

French 1600-1682 Claude Lorrain Galleries

ID de tableau::  83311
The Judgement of Paris
1645-1646 Medium Oil on canvas cyf
French 1600-1682 Claude Lorrain Galleries

   
 

 

 
   
      

GO HOMEGO HOME

Attilio Simonetti

Italian, 1843-1925

ID de tableau::  84831
The Judgement of Paris
1904(1904) Medium Oil on canvas cyf
Italian, 1843-1925

   
 

 

 
   
      

GO HOMEGO HOME

Joos de Momper

Flemish Baroque Era Painter, 1564-1635

ID de tableau::  88567
The Judgement of Paris
Oil on canvas cjr
Flemish Baroque Era Painter, 1564-1635

   
 

 

 
   
      


ID de tableau::  89554
The judgement of paris
1820(1820) Medium oil on canvas cjr
Paris 1754-1829

   
 

 

 
   
      

GO HOMEGO HOME

Abraham Bloemaert

(1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp.

ID de tableau::  90820
The Judgement of Paris
? Medium oil on canvas Dimensions 28¾ x 39 in. (73 x 99 cm.) cyf
(1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp.

   
 

 

 
   
      

GO HOMEGO HOME

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

ID de tableau::  92077
The Judgement of Paris
oil on oak Dimensions Height: 144.8 cm (57 in). Width: 193.7 cm (76.3 in). cyf
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

GO HOMEGO HOME

Henri Regnault

Paris 1843 - Buzenval 1871. French Academic Painter, 1843-1871. Studied under Alexandre Cabanel. Specializes in Orientalism.

ID de tableau::  95505
The judgement of Paris
1820(1820) Medium oil on canvas Dimensions ? x cm cyf
Paris 1843 - Buzenval 1871. French Academic Painter, 1843-1871. Studied under Alexandre Cabanel. Specializes in Orientalism.

   
 

 

 
   
      

Henri Regnault
Paris 1843 - Buzenval 1871. French Academic Painter, 1843-1871. Studied under Alexandre Cabanel. Specializes in Orientalism.
The judgement of Paris

        
 
   
 

index de dessins: ABCDEFGHIJKLMNOPQRSTUVWXYZ
index d'artistes:    ABCDEFGHIJKLMNOPQRSTUVWXYZ

Send  Us Email:    intofineart@hotmail.com

IntoFineArt Co,.Ltd.